Quote:
Originally Posted by sodascouts
Another problem is that Lindsey's on a different page than Stevie now musically, and has been for quite some time, when it comes to "sound." He often likes to make things sound unnatural - manipulated vocals, sped up guitar parts, sound effects, etc... she's not into that. Back in the day, his suggestions involved adding interesting harmonies, bridges, guitar parts... but in the recent era, they might also include adding bizarre stuff like the freaky manipulated voice echoing that "What I saw on this journey" verse in "Illume." That was definitely.... different.... and not very "Stevie." So I can kind of see where she might be a little nervous.
On the other hand, she made him promise to leave "Without You" alone and he did... and I think it would have benefited from some tweaking in its arrangement! Not by adding gimmicks, mind you, but by finding ways to make it less repetitive. Lindsey could have helped her with that. These people need to find middle ground!
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The obvious exception from back in the day (that apparently Stevie did like) is Gold Dust Woman which included breaking glass and stressed out shrieks (reference Rumours Classic Albums video). Lindsey has always pushed the envelope, but in in the best interest of the song production, not only with his own songs, but with others as well. For example, on the Buckingham McVie CD - Christine discussed the “liberties he took” on Feel About You, which she liked, but it was different than what she anticipated. For me personally, that is the “Fleetwood Mac sound” that is classic and timeless. I can’t imagine Gold Dust Woman, or Landslide, or any other FM song any other way than it was produced. Lindsey deserves the lion share of the credit (or blame depending on your perspective) for the outcome of the songs.