Quote:
Originally Posted by David
Yes! It's shot through with Fleetwood Mac.
There's a seventies Fleetwood Mac sound (mountain folk music and Byrds harmonies) and there's an eighties Fleetwood Mac sound (androgynous harmonies and adult contemporary [AC] music), and Destiny Rules is one of the few examples I can think of after 1979 of the seventies Fleetwood Mac sound. It's why I love it so much. It's that roots country sound mixed with a little psychedelia and flower-child melodicism (like One Tin Soldier or Teresa Kelly's Johnnie from the Billy Jack soundtrack, or Fleetwood Mac's own World Turning, Over My Head, The Chain, I Don't Want to Know, and That's All for Everyone).
It's the Fleetwood Mac image of the inner-sleeve photo of Rumours—the Fleetwood Mac of cutoffs, wine bottles, suede boots, beards, and greasy facial skin.
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Thank you both for addressing the topic of the thread. I'm curious to get people's thoughts.
What about the instrumental part of "Murrow"? Isn't that in the vein of the classic seventies FM sound?