This does not speak directly to Holiday Road, but the below is from a 2017 article in Pitchfork about the 30th anniversary and re-release of Tango in the Night and speaks to Lindsey's approach to constructing layered vocal parts. It may offer you some clues.
"Most of the vocal parts were recorded track by track,” he told the New York Times in 1987. “The voices used in the textured vocal choruses were mostly mine. I used a Fairlight synthesizer that samples real sounds and blends them orchestrally.” Out of these newly available materials, he could practically build an entire band, which was useful at the time. Mick Fleetwood was almost entirely consumed by his cocaine habit, and the band had been experiencing an internal drift for years. “Constructing such elaborate layering is a lot like painting a canvas and is best done in solitude,” Buckingham added.
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