I'm only familiar with Benatar's radio and video stuff from the eighties, and none of it appeals to me. It always struck me as emblematic of what everybody used to call "corporate rock." At my high school (1979–1982), Stevie and Benatar were both big, with maybe the popularity edge going to Benatar. By the early eighties, Nicks had a reputation among some kids of being wimpy and bland—a musher. Punk and new wave were popular, after all, and Chrissie Hynde, Benatar, Joan Jett, and Lita Ford probably felt more contemporaneous and real as role models to young women in high school.
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