Quote:
Originally Posted by HomerMcvie
And as far as his value as a producer, I have a friend in Nashville who produced several platinum albums in the 90's.
New artists don't want old ideas/thought processes in current production. I was shocked when he told me that he he could barely land a project these days(and no, they're set financially, and have a beautiful house way up in the hills). So for Ken having a hit album 45 years ago, it doesn't mean much now(at least to newer current artists).
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Quote:
Originally Posted by BombaySapphire3
Ken did not have a hand in the 1975 album . His royalties from Rumours alone though should be in the 8 figures by now .
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ah, you're right he started with Rumours. My bad.
Yeah artists today likely don't want his help in production. He was producing his daughter but after that first hit she had I haven't been aware of anything she did afterwards with him.
But did he buy the studio thinking that the magic of who and what had been recorded there would have some sort of appeal to younger artists perhaps??