It's a tie between the Midnight Special and the Mirage versions for me. I love Midnight Special because it's very tight & clean musically, and captures them all at their best, and Stevie's vocal is pretty much impeccable. I also love the happy smiles Lindsey keeps tossing at Stevie periodically, etc.
BUT the Mirage version is the one that cemented the idea that I needed "all the same all the same all the same" tattooed across my shoulders, which eventually grew into the whole Rhiannon-based back tat I hope to finish one of these days when I have many dollars and no bills to pay (ha! a likely idea!).
She sounds like complete hell the whole way through that performance, but the last bit, when she yanks the mic down, and belts out the "you don't change and baby, I don't change, and it's all the same, Rhiannon" just kills me every time.
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Malanderer, Badlander and Thief, Est. 1982
All the same, baby. All the same.
"You never know what I'll do. I've resequenced my show. I'm a master at sequencing. I'm the one who sequenced for Fleetwood Mac. I sequenced 'Rumours.' Everyone loves my sequences. They're fun.''
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