Quote:
Originally Posted by Macfan4life
Its important to remember that there is always drama for every Fleetwood Mac album. You should read Mick's latest book. Mick used to wait in Lindsey's driveway for drug dealers after the studio time at his house. I bet Lindsey knew this. Stevie came into the studio with attitude. I think she felt "odd man out." Stevie said recently that Lindsey grew frustrated with her because she would show up at his studio late. She blamed it on early use of the tranquilizer Klonopin.
In Mick's first book, he writes that Christine freaked out on Stevie too. Christine had a couple of glasses of wine in her when Stevie showed up (probably late) and began to bitch and complain about the album. Stevie thought she should be on the album more. She went as far to threaten and almost blackmail the group by threatening to go to Rolling Stone magazine to tell them she had nothing to do with the album. Christine fired back....."You should have been here... I wanted you to sing back up on Everywhere but you were not here." Christine had none of it according to Mick.
Note: This part is my opinion. I see where the group layered Stevie over the album to make it sound like she was part of the group effort. Her part on Family Man is so out of left field and does not really belong IMHO. I also believe this is why Stevie's Tango songs suck so bad. Some of the demos were mailed to the group when she was on tour and then she went to rehab after the tour. I don't see Lindsey wanting to help Stevie's songs that much. I believe her demo of Welcome to the Room Sara is very similar to the album track. It shows Lindsey did not put much creative energy into the demo. Its strange because the demo actually sounds better. I think its obvious that Stevie had no single on the album. Clearly Welcome to the room Sara and When I see you again are not singles. IMHO, Seven Wonders was brought to Stevie as a contribution to the band. Stevie complained that the Mac never gave her room for songs and she could not even write 3 songs for the album. I wish the group would have considered "What has rock n roll ever done for you" as Mick mentioned in his first book. I can see Lindsey passing on the song purely because of the arrogance of the song i.e. drinking French champagne. I can see Lindsey like "Oh please, you don't need to sing about your indulgent lifestyle."
I think there was tremendous pressure on Lindsey for Tango. He interrupted his solo album and really felt the pressure to make it successful. The entire sound of the album is a Lindsey solo album with Stevie and Christine making appearances. I hear only small group Mac sound. Its appropriate that Lindsey picked one of his favorite paintings for the album cover. I am sure he felt this was his effort.
Its strange because it seems only Christine's songs had staying power from this album. Big Love was a huge hit at #5 but you never or rarely hear it ever on the radio. I listen to 80's radio and it is a very rare song to be heard. You don't hear Seven Wonders either. Those songs are not even played on classic rock stations who rotate the Mac every hour. I think that demonstrates the empty pop feel the album had. Empty pop songs are easily forgotten no matter how big they charted.
I hear Little Lies and Everywhere every week.
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I agree with everything you said. If I may add something I think at some point also Stevie was trying to save her best work for her solo albums. With rehab and overindulging lifestyle that probably wasn't her most prolific period for her as a songwriter, after seeing how things were going with the Mac album I think she may have thought it was best for her to act in favor of her solo career.