Fader, STORY BY: COMPILED BY MICHAEL ZELENKO AND NAOMI ZEICHNER
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http://www.thefader.com/2013/09/23/n...#ixzz2jKOSWdgY
LINDSEY BUCKINGHAM
Guitarist and collaborator on Hesitation Marks
When Trent sought me out to play guitar [for Hesitation Marks], I was quite pleased. Even though our styles differ, it seemed to me that our methods were very much the same—approaching the writing process through color, working the textural and tonal relationships of the track, much in the way an abstract painter works. There was really no verbalizing in terms of what to play, no preconceptions of any kind from Trent. There were no melodies yet, and I felt that he was really just looking for his next set of clues to advance the material to the next step, hopefully infusing the stuff with a bit of my style along the way. Trent wasn’t interested in the idea of my trying to adapt my style to what he does; he was attracted to the idea of my organic guitars coexisting with his electronic keyboards. And that’s where the potential for something new existed: in the hybrid between the two.
Read more:
http://www.thefader.com/2013/09/23/n...#ixzz2jKO92iMl