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Misc lindsey nuggets
Hi,
Big thanks for everyone sharing all the great Lindsey material. I have been really enjoying it. (If someone does have disc #2 of the Philly show, that would be awesome, thanks!) Here are some older things, maybe some of you don't have, so I hope you can enjoy also. This is my first time using Mediafire, so please let me know if there are any problems. Saturday Night Live: Feb 6, 1982, season 7, episode 11 Bwana: http://www.mediafire.com/?wi4nzkzmm0j Trouble: http://www.mediafire.com/?2mxywnmmzgo Mark and Brian Show: From OOTC promotion Countdown: http://www.mediafire.com/?zzt2gzvanez Never Going Back Again: http://www.mediafire.com/?niwjlknvndn Second Hand News: http://www.mediafire.com/?a2khwtmz5un CBS Up Close TV: From OOTC promotion Countdown: http://www.mediafire.com/?zxhnz0ii0zn Never Going Back Again: http://www.mediafire.com/?grwnywgzwjc This Nearly Was Mine / Street of Dreams: http://www.mediafire.com/?2z3mktdorlw Soul Drifter: http://www.mediafire.com/?3nqwmd0qzwj Hope you enjoy. |
Hey Thanks! I'm not sure if I've heard all of these... The CBS Up Close stuff doesnt look or sound familiar to me.
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A Stephen Stills fan compares Stills to Lindsey:
http://blogs.poughkeepsiejournal.com...tephen-stills/ I tend to compare him to Lindsey Buckingham in the sense that they are two musicians who know exactly what they want every instrument to sound like, and will even play it themselves if necessary. They both have an amazing ability to mix beauty and harmony with intensity and drama. They also come from band situations whose soap opera-like tabloid fodder sometimes outshines the music unfortunately. |
http://seattlest.com/2011/10/10/cant...monday_152.php
Aliens Ate His Buick: Though he's mostly known for a ubiquitous 80s pop hit that helped to get him labeled as a 'one hit wonder', Thomas Dolby is something of an unsung genius of the New Wave era -- more in common with Frank Zappa's and Lindsey Buckingham's solo work than Rick Astley. Tonight, Dolby invades the Triple Door, where he will host a small lecture, play music from his new album, A Map of the Floating City, and more than a few of his early hits. You know, like the one about the beautiful Miss Sakamoto whose science is blinding; yeah, that one. |
LB cited as influence
http://www.mmdnewswire.com/pinflap-g...ent-87304.html
Pinflap releases ''Carry On'' ready for Valentines Day Dallas, Texas (MMD Newswire) February 8, 2012 -- Simply Music Management is thrilled to announce the release of Pinflap's (Gregory Wooldridge) second album "Carry On", available worldwide from Feb 9 ready for Valentine's Day. Carry On by Pinflap features 16 original songs plus two bonus tracks. Carry On takes us on an emotional journey with lyrics that touch the heart of all who have experienced life's highs and lows. Never before released songs 'She's a Dream' and 'One in a Million' make a perfect Valentine's Day gift. "Carry On is a compilation of songs written over the last year about life's journey", said Pinflap,"I was inspired by internationally acclaimed John Mayer to complete the album". Pinflap music appeals to all generations and with a growing fan base crossing several continents Pinflap new CD will be sold worldwide from all major e-retailers and CD Baby. Pinflap (Gregory Wooldridge) has been writing music for about 28 years. At the age of 21, he brought a used acoustic guitar and taught himself how to play. Three months later he was in a band and went on to perform as part of renowned Cadillac Cowboys. More recently Pinflap has been carving out a successful international solo career as a singer/songwriter and acoustic guitarist. In an industry often permeated with mixers and voice synthesizers it is refreshing to hear the raw talent of a singer/songwriter acoustic guitarist who sounds as good live as he does on his newly released album. Pinflap credits Lindsey Buckingham, James Taylor and Ian Anderson, and more recently John Mayer as musicians who inspired his career. One amazing fact about Pinflap is that he never uses a pick similar to Lindsay Buckingham acoustic rhythm. His unique style is hauntingly beautiful and simplistic but yet it is complex if not impossible to emulate. Simply Music management, based in Australia, Texas USA and London UK has released 'Carry On' for worldwide distribution. Links Website - http://www.pinflap.com Management company - http://www.simplymusicmanagement.com ### |
http://www.guardian.co.uk/music/2012...?newsfeed=true
RxGibbs Ron Gibbs is a nostalgic futurist who makes ambient dub in the style of the Orb or Aphex Twin Paul Lester guardian.co.uk, Monday 27 February 2012 09.59 EST Slow, drifiting technoscapes … RxGibbs Hometown: Michigan. The lineup: Ron Gibbs (music, production). The background: There are probably better genres of music to enjoy right now than ambient dub as the weather improves and thoughts drift (a key word here) towards summer, but we can't think of any. Michigan producer Ron Gibbs, who operates as RxGibbs, is a nostalgic futurist, his electronic reveries made using modern technology and evoking memories of the/his past. It recalls that style of music popular in critical circles 20 years ago (and not from Seattle or "Madchester") – the slow, drifting (told you) technoscapes of Seefeel, and those artists involved in the early UK dance scene who had mental or musical links with shoegazing and/or 70s psychedelia and prog, such as the Orb. Says Gibbs: "I've always drawn inspiration from bands like Seefeel, Slowdive, My Bloody Valentine, Andrew Weatherall's projects, the Orb and such. These were the bands that blew my mind way back in high school." One of his tracks, High Moon, from the Disclosure EP, sounds like something Weatherall might have recorded for Primal Scream circa Screamadelica. That album is another touchstone for Gibbs, although he's more into the sonics of the era than the messianic posturing. He thinks early Verve produced "some of the most beautiful music ever" and digs the musicianship of guitarist Nick McCabe and bassist Simon Jones, but believes Richard Ashcroft "is the one that ruined them in the end". There are also probably better labels for Gibbs to release his music on right now than Cascine, but we can't think of any. Cascine is the New York-London label whose acts, such as Chad Valley, Selebrities and Jensen Sportag, we've been saying appreciative things about recently. They don't have a label sound as such – although Factory meets early Warp isn't far off – but they do have a label "feel": it's the sheen that celebrates itself. And they have managed, with their stylish sleeve designs, to convey that feel even in this no-product, digital-only age. Cascine's signature look and sound are instantly recognisable in RxGibbs's latest EP, Futures. It's his third, as far as we can tell, and first for Cascine, preceded as it was by the Disclosure and Bleu Celeste EPs. We tried listening to the latter pair on his Bandcamp, but that site appears to be experiencing problems, so we downloaded them instead. There is a marked progression from his early work to Futures, even if it's of the slow-evolving kind. If anything, his music has become poppier, less chillout than chillwave. Sometimes, this poppiness is subtle: the title cut and Lumiere are like backing tracks for fully fledged songs, while Proxy has the melancholy motion of New Order's best wan disco. It goes on and on, yet you still feel sad when it stops. Silver starts off dreamy then speeds up to become the Fleetwood Mac-in-space we were expecting from Chad Valley's side project Jonquil. The final track, Split Infinity, is in the same vein: electronic MOR, a blur or blend of Selected Ambient Works and Tusk. If Aphex Twin and Lindsey Buckingham ever did a mashup for Cascine, here's some idea of the result. The buzz: "Luscious, heavenly ambience". The truth: Time once again for Cascine to be heard. Most likely to: Have an ever growing pulsating brain. Least likely to: Become addicted to cocaine. What to buy: The Futures EP is available now on Cascine – digital release only. File next to: The Orb, Seefeel, Washed Out, Andrew Weatherall. Links: www.facebook.com/pages/RxGibbs/158355017591638 Tuesday's new band: Smiler. |
http://www.themortonreport.com/enter...rtin-and-more/
The Norton Report picked 10 songs for this week in a "New Music for Old People" column. Lindsey was mentioned. 2. "Rolene" — Moon Martin (3:05) This is an obscurity by one of the great unknown power pop geniuses who somehow avoided stardom. He wrote classics such as “Cadillac Walk,” “Bad Case of Loving You,” “Victim of Romance,” and “Paid the Price.” Even those covers by Mink DeVille, Robert Palmer, Michelle Phillips, and Nick Lowe did not uncover his shroud of secrecy. This is MY favorite Moon track from the mid-'70s and I’m sure Lindsay Buckingham was a Moon fan based on this track alone. |
Folk, Rock Music, Roots Music, uncategorized — March 3, 2012 9:31 am
Rocco DeLuca – Drugs ‘n Hymns (2012) Posted by Nick DeRiso To be so organic, so uninhibited and free — during the song “Amen,” Rocco DeLuca actually turns from the microphone, filling the room around him with a howling lament — Drugs ‘n Hymns is often grounded by the familiar. That gives this record both its magic, and its heft. DeLuca, who’s been leading a blues rock-informed outfit called the Burden for the last few years, unplugs for this idiosyncratic solo excursion, due on March 6 from 429 Records. That brings him nose to nose with his finely drawn characters’ highs and lows, the moments when something life altering is understood for the first time. Still, as distinctive as Drugs ‘n Hymns can sometimes be, with its echoing Dobro amidst spacious settings, DeLuca is clearly aware of the long path that brought him to this place. You hear bits and pieces of his musical influences, and these strands serve as buttresses when DeLuca starts playing fast and loose with song structures. Tracks like “My My” and “Snake Oil Salesman” boast the same kind of barely controlled anger found on fellow Californian Lindsey Buckingham’s 1970s-era acoustic sides, right down to the banjo-inspired guitar signatures. The instrumental “Sibylle,” with its solemnly looped rhythm backing, resonates like the best atmospheric rock of Daniel Lanois. The trippy “The Stride Like Gods,” later in the album, takes this concept to its apocalyptic endgame, stirring in backwards snippets of music that sweep from one end of the audio spectrum to the other, all over an ominously rumbling backbeat, until the song eventually dissolves into a wordless hum. “Gorky,” the final instrumental on Drugs ‘n’ Hymns, sounds like a far-off moan, barely heard but distinctly felt. the rest at http://somethingelsereviews.com/2012...-n-hymns-2012/ |
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Top Ten Reasons We Can't Get Enough National Lampoon's Vacation
http://blogs.amctv.com/movie-blog/20...h-vacation.php
Top Ten Reasons We Can't Get Enough National Lampoon's Vacation - AMC Blog - AMC John Hughes's genius and Lindsay Buckingham's snappy, toe-tapping tune are just a couple of the reasons to love this comedy classic. Top Ten Reasons We Can't Get Enough National Lampoon's Vacation Few comedies have enjoyed the legacy that National Lampoon's Vacation has. It was one of the highest grossing comedies of all time when released in 1983 and it has kicked off one of the most successful franchises in movie history. So what makes the story of the Griswold family so great? Here are ten reasons we can't get enough National Lampoon's Vacation. 10. Sightseeing Made Easy Much of the movie is filmed on location. With shots of sites like the Grand Canyon, Death Valley, and the St. Louis Arch, watching Vacation is like taking a road trip without having to pay for gas -- or ride in a Truckster. 9. A 15-Year-Old Jane Krakowski As cousin Vicki, Krakowski makes her movie debut by defending her French-kissing prowess: "But Daddy says I'm the best at it." Even as a teen, the future 30 Rock star has the earnest delivery of the absurd that is her trademark. 8. Misery Loves Company Your troubles will never be as bad as the Griswolds. You've probably dealt with nutty relatives, but hopefully you never had to tie a dead one to the roof rack. And have you ever left a dog leashed to the bumper and driven away? Well, at least you're not alone. 8. Christie Brinkley vs. Beverly D'Angelo In this corner, the hottest supermodel of the '80s. In the other, one of the greatest MILFs of all time. Both of them have a thing for Clark W. Griswold. How did a "genius with food additives" get so lucky? Who cares. These lovely ladies provide Vacation with spice. 6. The Rollercoaster Ride The excitement. The fear. The nausea. Director Harold Ramis captured the many realities of a great amusement park ride by having the actors ride this repeatedly to get the right shot. The result is priceless. 5. John Hughes' Imaginative Genius Leave it to John Hughes to take a childhood experience and turn it into a work of comedic gold. Hughes's screenplay is based on an unfortunate family trip he took to Disneyland as a boy. (Who hasn't had to sit next to an elderly relative that smells like mothballs?) 4. Last Minute Intro of John Candy The original ending (Clark kidnaps Mr. Walley) didn't go over with test-audiences, so director Harold Ramis called on former SCTV castmate John Candy to shoot a last-minute alternative. His hilarious turn as a Walley World security kicked off Candy's big-screen career. 3. "Holiday Ro-o-o-o-o-o-o-o- o-oad" Lindsay Buckingham, the guitarist from Fleetwood Mac, recorded "Holiday Road" -- now synonymous with the Vacation franchise -- with a chorus so upbeat it can instantly turn a frown upside down. 2. "This Is a Quest For Fun!" After innumerable disasters, Ellen, Rusty, and Audrey want go home. But Clark's not having it! What follows is the most hilarious pep-talk ever: "This is no longer a vacation. It's a quest. It's a quest for fun... We're all gonna have so much f**king fun we'll need plastic surgery to remove our goddamn smiles." He's right. 1. Quintessential Chevy Chase Few actors can pull off what Chase does. His performance is simultaneously heartfelt and hysterical. A nostalgic tear in his eye while having a man-to-man talk with Rusty can quickly disappear with impeccable comedic timing. Chase's Clark may be a buffoon, but he's also the lovable lug we'd gladly follow anywhere -- and have been doing so for over 30 years ago. Can't Get Enough National Lampoon's Vacation starts on Mon. Mar. 5 at 8/7c. |
What Would Lindsey Buckingham Do? [I like the title of this Austinist interview!]
Excerpt from Interview with Katy Goodman: http://austinist.com/2012/03/15/la_sera_interview.php Was there anything you were listening to when you were writing this last album in particular? Fleetwood Mack. We were listening to Fleetwood Mack a lot you know when we were recording, like when we would try to find a good guitar tone. It would kind of be like, what would Lindsey Buckingham do? We would use a lot of guitar tones that were pretty influenced by Fleetwood Mac. |
Masterpieces made of other people's songs
Masterpieces made of other people's songs
http://www.stuff.co.nz/entertainment...-peoples-songs The best - sustained - case of playing dress-up with someone else's songs that I've ever heard, an album I regularly return to, is She Loves You by The Twilight Singers. Have you heard it? It's the third album by Twilight Singers, a group that started as a side-project for Greg Dulli (of Afghan Whigs). ........... The absolute standouts, for me, are the version of Bjork's Hyperballad (especially given the original is an amazing piece, one of Bjork's best songs) and the cover of Lindsey Buckingham's What Makes You Think You're the One. On Tusk it might just be another song, one you either love or loathe (or are unaware of/indifferent to). But here Dulli gives it a push in the right direction toward accessibility - really giving the lyric a chance to shine in all its pathetic self-absorption. http://www.stuff.co.nz/entertainment...-peoples-songs |
Lindsey Snippets
Is there another Lindsey snippets thread?
Here's a mention by Dominic Miller, Sting's guitarist. http://www.dominicmiller.com/asksess.html |
fun.
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so here's another recent lindsey-mention from http://spectator.org/archives/2012/0...-fun-wont-last - The Fun Won't Last: Number one used to look for rock. Now it couldn't find it with a search party. But fun. somehow stumbled upon numero uno. The bestselling song of 2012 is upbeat and uplifting. Singer Nate Ruess does Lindsey Buckingham impersonating Freddie Mercury. The main instrument here is his theatrical voice. |
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text referring to LB: Q: In your session work (most notably with Sting), I appreciate that fact that the your guitar parts always seem to compliment the lyric or verse. Although sometimes quite subtle, the method in which your voicings weave in and out of the songs remind me quite a lot of Lindsey Buckingham. Does your feel that your classical reference point has contributed to your ability to express or restrain your session guitar work (as you always seem to 'play for the song')? - from Chad A: Thanks for this. Lindsay Buckingham is one of the most creative song accompanists on guitar. His parts always sound perfect to me. I am flattered you should put me in the same paragraph as him. Yes I do in some way model my approach on his, but there are also many others. Classical playing has been of some help, mainly with technique which I sometimes use on electric and visa versa. But my main instrument is musicianship. I like to be true to the song and complement it as much as it deserves, if not more. Having some classical background and listening to people like Lindsay Buckingham helps make this possible. |
Quote from Lindsey in article about Ken's book.
http://www.wmmr.com/music/news/story.aspx?ID=1704047 Lindsey Buckingham recalls that overcoming the drama surrounding the band's inter-personal relationships during the making of Rumours was a huge part of the album's success: "The best thing probably was, in some odd way, the fact that we rose above all of that and were almost able to tap into the heroic aspects of ourselves in order to do what needed to be done. Because, we'd had already had one successful album, and once Rumours became as successful as it obviously was going to become, we just realized that we just had to push through no matter what and that was what people responded to." |
Compares Lindsey's look to Daniel Hindman:
Seattle Weekly, May 18, 2012 by Erin Thompson http://blogs.seattleweekly.com/rever..._lindsey_b.php Yesterday I blogged about one show I was looking forward to this weekend--Pure Bathing Culture at Neumos tonight with Deep Sea Diver and Ravenna Woods. In this week's Short List, my Editor's Pick of the week is a different show though--Lindsey Buckingham at the Neptune tomorrow night. Today Pure Bathing Culture tweeted a photo of that Short List page, stating, "Seattle Weekly. Stoked to be sharing the page with Lindsey! Danny beside himself." In looking at the page, I came to the startling realization that Lindsey and PBC's Daniel Hindman look scarily similar. I mean present-day Lindsey Buckingham. When Buckingham was Hindman's age he looked like this: http://i300.photobucket.com/albums/n...mb-535x364.jpg So I guess what I'm saying is, young Daniel Hindman looks like old Lindsey Buckingham, and that is cool. And a Short List coincidence. I wasn't the first to notice this. A commenter on PBC's Instagram wrote: "The men are sort of rockin the same hairdo, too." Good on you, Daniel. |
From an American Idol article, I don't know if they would have though of LB, if Stevie hadn't brought the comparison to all viewers' attention:
http://www.afterelton.com/tv/2012/05...n-11?page=last Phil Phillips summoned Lindsey Buckingham on his good days and Dave Matthews on his meh days. |
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there are tons of tweets today about some band representing Israel on Eurovision too - lead singer has a lindsey-hairdo (although he looks nothing like LB, i checked the youtube :p) so there are bunch of jokes re his LB-like looks - @AndySpeed1000 Is that a harry connick jr, lindsey buckingham hybrid singing for Israel?? #eurovision @BjrnKohlstrm @SteffoTornquist Nä, det är Lindsey Buckingham eller äsch! Rufus Wainwright! Äsch! @DaiTheBay Israel's lead singer looks like a slightly camp, massively insane version of Fleetwood Mac's Lindsey Buckingham #Eurovision @Nulapimple Oh Israel. How very Eurovision. But wait.. is that Lindsey Buckingham? #Eurovision @Boodlesy It's nice Lindsey Buckingham has something to do while Fleetwood Mac are on hold #eurovision @Stu4r7 #bbceurovision F**k me - it's Lindsey Buckingham and pals!!! @juffery IF THEY TURNED LINDSEY BUCKINGHAM INTO A MUPPET THAT WOULD BE ISRAEL!!!!!! @richarevans1 #eurovision Crikey Lindsey Buckingham has let himself go. @BjrnKohlstrm Inte visste jag att Rufus Wainwright sjöng för Israel! Eller va? Är det Kramer? Lindsey Buckingham? @Nick_Pettigrew #eurovision I wondered what Lindsey Buckingham was up to these days. |
That guy doesn't remind me of Lindsey at all. Michele
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John Mayer - "Born and Raised" (new album)
http://www.billboard.com/new-release...07120152.story
...Speak For Me: Mayer's sonic tour of California turns towards Lindsey Buckingham here, with a rolling guitar figure and a gentle but lively mood. Mayer seems a little down on his colleagues here ("The music on my radio ain't supposed to make me feel alone") and yearns for someone who can "play a song that I can sing" and "make me feel as I am free." ... and http://www.contactmusic.com/news/joh...y-good_1331534 John Mayer 's new album 'Born and Raised' is indebted to the late 1960s and early '70s, to the extent that the cover art even looks like a facsimile of SMALL FACES' 1968 album Ogdens' Nut Gone Flake. Mayer's fifth studio album is the first that he will be unable to support with a live tour, as he is currently suffering from a throat condition that forced him to cancel his planned live shows. In the absence of a tour, Mayer will no doubt be hoping that reviews of the album will be positive ones. Billboard note how much tracks like 'Queen of California' owe their influence to the likes of Neil Young and Joni Mitchell, with a nod to Fleetwood Mac's Lindsey Buckingham in 'Speak For Me.' To hammer the point home, the title track features backing vocals from David Crosby and Graham Nash. Their track-by track rundown offers more in the way of description than opinion, though, leaving the reader to seek out the tracks themselves. More telling is the review from New York Daily Times, which concludes that it's Mayer's "lack of vulnerability and risk that most distances this album from its intended goal", adding, "Instead of being more frank and raw, its more meandering and numb than ever." Huffington Post are kinder, describing 'Born and Raised' as "a phenomenal record", and continuing, "John Mayer has crafted an album not only meeting the towering expectations of loyal Mayer fans but far surpassing them." There's no hiding Mayer's intention to create an homage to days gone by; he seems to have divided opinion with his fifth studio album though and only time will tell whether or not it will suffer with a lack of live appearances from the popular singer. |
Cory Brannan: Mutt – 2012
http://www.countrystandardtime.com/d...w.asp?xid=4893
Cory Brannan Mutt – 2012 (Bloodshot) Reviewed by Michael Rampa CD Reviews Shop Amazon and support Country Standard Time CDs by Cory Brannan Mutt (2012) Cory Branan has cited varied influences for "Mutt." They include Mellencamp and Springsteen. ITunes appears to have pegged them as the dominant ones. The album is auto categorized in the rock genre. But his self-produced debut with Bloodshot is a melting pot of varying inspirations, from Americana to folk. Some are subtly hidden, perhaps even to Branan himself. His finesse picking on the gorgeous opener The Corner is reminiscent of Lindsey Buckingham. The fundamental sound is a punk /southern rock vibe in the same vein as Paul Westerberg. |
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I think there's something cooking in the business realm with this Vivendi company being the largest entertainment conglomerate and the ties with Interscope, Live Nation, Irving Azoff and most recently - Tom Whalley. |
Did I just hear the walk on music for Bill Hader on Jimmy Fallon..
Trouble?.... Short, but.... Short... :) |
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tweet: @dannybluebird I love that The Roots played Lindsey Buckingham's "Trouble" when Bill Hader came out on @LateNightJimmy. |
i think this must be the first time ever that i've seen LB's solo career being referred to as a success (as opposed to "a LB paradox" or however they called it). so nice to see it - Lindsey has really been turning opinions around in the last 6 years :thumbsup:
http://consequenceofsound.net/2012/0...-go-solo-next/ Question of the Day: Which Frontman Should Go Solo Next? BY CHRIS COPLAN ON MAY 25TH, 2012 IN NEWS, QUESTION OF THE DAY Today, My Morning Jacket frontman Jim James announced plans to release his debut solo album. When said LP drops sometime early next year, James will join an illustrious list of well-known frontmen, from Peter Gabriel to Rod Stewart, who have made a go of it on their own. Some have had success as their own creative entities (Phil Collins, Lindsey Buckingham), while others have proven that going solo isn’t always the best approach (see: Chris Cornell’s Scream). Which prominent rock/pop frontman would you like to see drop a proper solo record? Maybe someone like The Flaming Lips’ Wayne Coyne, The National’s Matt Berninger, or Foo Fighters’ Dave Grohl? Is there ever an instance where a frontman shouldn’t go it alone? Or, are these albums a “requirement” for all truly successful frontmen? Leave your comments below. You can also tweet us @coslive with the hashtag #CoSQotD or post something on our Facebook page. |
I have an article on Lindsey from my local paper promoting tonight's show in Northampton, Ma. It contains two pics of Lindsey. Does anyone in the United States want me to mail it to them? After I get a response I will delete this.
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I'm late to this, but regarding the first post written by Ken.... what were you referring to about "disc 2 from Philly"?? Did someone post something from a LB solo show? And if so, what year are you referring to?? I am totally interested!
Th ank you!! |
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Excerpt from an article about Musikfest tribute band:
Lehigh Valley, August 5, 2012 http://www.lehighvalleylive.com/musi..._for_fans.html Scott McDonald, of New Jersey-based Tusk, says he knew at an early age that he wanted to play the music of Fleetwood Mac. He says he was inspired by guitarist Lindsey Buckingham after hearing the band's landmark 1977 album "Rumours" on the family turntable. "I pretty much clicked with Lindsey Buckingham, his voice and his playing," McDonald says. McDonald says Fleetwood Mac's less frequent touring schedule, often done in between its members' various solo projects, have not kept fans from coming to see the band. He describes Tusk show as more "theatrical." "We've got all the hits and we'll throw in two three (lesser-known) songs," McDonald says. "That also gives us the freedom to stretch a little bit and that helps us not get overly redundant." |
http://www.licklibrary.com/forum2/Th...ThreadID=30723
07 Sep 2012 21:09 - Author Hi Mike The way I practice guitar, for better or worse is that I choose an artist to emulate/rip off for a couple of months. I learn a few songs of that guitarist and then try to incorporate into my own playing. My wife loves LIndsey and so I bought your DVD. If you were going to tackle the whole DVD, in what order would you learn the songs. Met the dude a couple of weekes ago. Phenomenal player but his hands were bloody at end of performance, and he is an unusual player due to his stylistic eccentricities. Thanks in advance. Always learn a ton from watching you play. |
http://simianidiot.tumblr.com/post/3...sey-buckingham
SEPTEMBER 17, 2012 Forehead of the Week: Lindsey Buckingham Totally True Confession: When I was too young to account for the lustful stirrings in my juvenile loins, I thought Lindsey Buckingham was a really sexy guy. I didn’t know WHY I liked looking at him. In truth, he kind of scared me a little. His voice was bothersome, and the songs I knew were gloomy and troubling, but for whatever reason, the young Lindsey Buckingham, like the young David Bowie, just did it for me. Maybe I was into real skinny, moody looking dudes with prominent bulges at one point. Who knows. Anyway, my good friend Anna Dynamite and I were talking about something or other recently, and Lindsey Buckingham came up in conversation, like he does. Anna presented the music video for “Holiday Road”, which is a song I have some familiarity with. “This is the saddest video of all time,” said Anna. “The saddest part is that Clark is going to forget the chainsaw to cut down that giant Christmas tree,” said I, once again displaying my famously accurate memory of films. “No,” said Anna. “The saddest part is when he forgets to untie the dog from that bumper.” “Or when his wife stops shaving,” I replied. “Lindsey Buckingham scares the **** out of me. Always has.” “I have a crush on him. He was wearing guyliner before anyone else. Hipster!” And then Anna displayed a picture of Buckingham as he appears today, approximately 25 years after the last picture I saw of him was taken, and I was floored. [good looking pic of LB from SYW era] “Holy ****, look at that fu*king forehead,” I said. “He’s so intense and stare-y, like he has never had a lighthearted moment.” Anna: “FACT. Lindsey Buckingham is a No Fun Zone.” BIOU: “FACT. Lindsey Buckingham gives himself papercuts on purpose.” Anna: “FACT. Lindsey Buckingham has never smiled. Ever.” BIOU: “FACT. Lindsey Buckingham had a good day once. He went home and slammed his testicles in a drawer until the happy memories faded.” As I come to the end of this post, I’m starting to realize that these FACT MARATHONS do not reflect well on Anna and me as members of the global human community or whatever, but that’s okay, because it’s a little known FACT that Anna and I are horrible people and that’s why hordes of classic rock dudes are lining up to beat the **** out of us. Congratulations, Lindsey, you’re the forehead of the week. Go out there and punish yourself in whatever way seems best to you. 9:56AM | URL: http://tmblr.co/ZgQbJyTZB5u9 |
^She doesn't know why she used to think Lindsey was attractive?:confused:
Michele |
This is different...
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^^ Haha, hm well that was interesting. Buck! Buck! Buck! :p
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Really daft and really funny :D
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Next Movie, by Brian Enk, October 23, 2012
http://www.nextmovie.com/blog/new-mo...haven-trailer/ "Open up ... everything's waiting for you!" Julianne Hough and Josh Duhamel fall in love to a Fleetwood Mac cover in the trailer for "Safe Haven," the latest screen adaptation of a Nicholas Sparks romance novel. If you saw "The Notebook" (and we know you did) or "The Lucky One" (you probably didn't), you know the drill: A cautious courtship leads to passionate embraces before some element of danger — usually one that comes from a secret one of the characters is harboring — comes to light in time for the third act. More specifically in the case of "Safe Haven," we get Katie (Hough), a woman who moves to a small North Carolina town in an effort to escape something (or someone) from her past. At first, she just wants to lay low as a mysterious recluse, but what young lady could ever help falling in love with a local guy who once helped save Chicago from Decepticon forces (Duhamel)? Shots of them going on romantic rowboat trips and looking hot in their bathing suits ensue. Nicholas Sparks, you definitely know how to push all the right buttons. Push the one below to watch the trailer for "Safe Haven," which opens Feb. 8, 2013. |
Excerpt from an article on Tusk Wax Records:
http://londonist.com/2012/11/club-wa...s-hysteria.php Thanks to Lindsey Buckingham, a mention of the world “Tusk” evokes images of bed-hopping, extended solos and bacchanalian excess. Fear not though elephants – your days of rock mockery are at an end. Whether or not the figures behind London’s Tusk Wax records are big Fleetwood fans or simply enjoy large mammals, they’re doing great things for turning “long in the tooth” into a term of endearment. |
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