Kiln House era live CD w/Chris
I remember reading somewhere of a CD release from the Kiln House era...of live material...including some stuff from The Christine Perfect Band. The name of the set is called Madison Blues...does anyone know where I can get this?
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Thanks! Can't wait to get this!
I really enjoy this line up of the Mac...although it didn't last long :( |
And, it's a few bucks cheaper if you order it at Amazon U.K. That's how I got mine. :)
http://www.amazon.co.uk/exec/obidos/...313704-2230824 |
I bought this three-cd set in Europe last year. It's quite good to have if you're a FM fan. The first four songs feature studio tracks from Christine Perfect's aborted second solo album: all of these are very good. Then there is a fantastic live-in-studio version of "Crazy 'Bout You Baby" with FM backing her up.
Live-in-studio versions of four Kirwan tunes, too. One of these, "Down at the Crown," can't be found anywhere else. There are three versions of Station Man: one live-in-studio, and two live. All of them are excellent and very distinct from one another. Christine's voice live is problematic here: on slower numbers, like "Lonely without You," she sounds great. But for her vocals on the live version of "Crazy" she sounds like a five-hundred pound black blues man. Or better yet: a thin, white British woman trying to sound like a five-hundred pound black blues man. Her background vocals on Kirwan's tunes are often out of tune. But her keyboard work is inspired throughout. Disc three is a rare, extensive DVD interview with Jeremy Spencer. |
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I know! I so wanted her to be in tune. But her "oohs" and "ahhs" on "Jewel Eyed Judy," for instance, are painful. She's my favorite singer in rock music. To hear her suffering like a dying whale was difficult. The rest of the cd makes up for it, though.
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That might explain our Queen being off. :xoxo: |
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"Monitors"? What are "monitors"? :shrug:
It wouldn't matter if they HAD them back then, 90% of the time, they weren't loud enough to hear over the stacks of amps anyway...and if the sound engineer turned up the monitor system, it would feedback like a m*****f**ker...just rip yo' head right off. :nod: |
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When I play with Mirage, I want my floor monitor to carry only: 1. My own signals, nice & loud. 2. All vocals. I have to set up adjacent to the drummer because I play to his kick drum, & I need to see him start, fill & end. People have always told me I have a really good, steady meter, & that's probably from playing to the bass drum. I don't know & I don't care what the bass is doing, what the rhythm guitar is doing or what the lead guitar is doing (insofar as a monitor signal for me). They can take care of themselves! |
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I agree with cueing off the drummer. To hell with the bass player. If you wanna lock, you go to the source!!!(I have a kickass drummer! Feel, out the ying-yang). |
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