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This thread made me check what Mick said in his first book about Penguin. Well actually it seems Bob and Chris said about this album:
Off the road in early 1973, we hired the Rolling Stones' mobile studio and brought it down to Hampshire so we could record our next album at home. The result was Penguin, an album that Bob Welch terms "obscure" and Christine describes as "weird." Halfway through Penguin, we started to wonder about our new singer, who was often drunk and disorderly around the studio. But Penguin had some bright spots. Chris's songs "Remember Me," "Dissatisfied," and "Did You Ever Love Me?" were solid, and Bob Welch's impressionist "Nightwatch" included Peter Green, who was persuaded to play some farecho guitar, albeit uncredited. Does anybody agree with those terms? And who is that "new" singer? I suppose Bob, but he had already been in Future Games and Bare Trees. After 2 years is he still "new"? Or am I missing something? :confused: |
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Don't forget my initial question of agreement with the terms obscure and weird. |
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Incidentally, I think he has a YouTube channel. |
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Which former Fleetwood Mac member became a member of Black Sabbath? Hint: Stephanie Nicks's Ozzy cameo on the back of the White album does not count :lol: |
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So let me switch back to PENGUIN :-) Penguin appears to be the first time Christine used double tracking on her lead vocals (“Remember Me,” “Dissatisfied”), a production trick she used again on “Just Crazy Love,” “Love In Store” and — I think — “Think About Me.” I love all of her PENGUIN songs, but notice the very different vocal effect on these two songs as compared to “Did You Ever Love Me?” I think she made the right decision to double track on those particular songs (gives them a poppier feel) but I’m wondering what “Remember Me” and especially “Dissatisfied” might have sounded like without doing that. |
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