New duet with LeAnn Rimes
The day before LeAnn Rimes releases her Re-Imagined EP, a collection putting unique new spins on some of her best-known songs, the country-pop powerhouse unleashes another surprise track from the collection. And this one comes with a bona fide rock superstar attached. Stevie Nicks, whose work as a solo artist ands as a member of Fleetwood Mac have influenced Rimes for decades, joins her on an updated rendition of “Borrowed,” a track originally featured on Rimes’ brilliant, yet underappreciated, 2013 LP Spitfire. Written by Rimes with Darrell Brown and Dan Wilson, and produced by Rimes, Brown and Nicks with famed guitarist Waddy Wachtel, this updated version of “Borrowed” finds the two singers sharing melody and harmony, imbuing the tune with emotional depth yet never overpowering each other. The result is a bittersweet country ballad with just a touch of glittering pop-rock magic. Nicks, who refers to the “How Do I Live” singer as “the best I have ever sung with,” notes that she chose to record “Borrowed” for Re-Imagined after Rimes sang it on The Tonight Show in 2013. “I stopped in my tracks and sat down on the floor and started to cry,” the rock icon tells Rolling Stone. “I understood what she was singing about. I understood that the pain was real… and I understood that it had happened to me. When the song ended, I called my assistant to tell her that one day, I would sing this song with LeAnn. It was our destiny.” Nicks, a member of the Rock and Roll Hall of Fame with her Fleetwood Mac cohorts, says of Rimes as a vocalist, “You can’t compete with her; you can only keep up with her. To sing with her is to be blessed. She teaches you; she takes you along for the ride. She takes you on her journey and you arrive a much better singer." "Stevie has been inspiring me as a songwriter and performer since I can remember,” adds Rimes. “To know that my music has seeped its way into her heart the way her music has into mine is magical. Connecting with her, not only musically, but on a soul level – understanding what it’s like to be a woman with passion, a pen and a desire to tell the most authentic, heartfelt truth through song, has been an experience that’s forever left an imprint on my life.” The Re-Imagined EP, also featuring newly crafted versions of such Rimes hits as “Blue,” “How Do I Live” and “Can’t Fight the Moonlight,” is available June 20th. https://www.rollingstone.com/country...agined-w521697 |
I'm not a fan of LeAnn Rimes but this song is pretty damn good. The harmonies are gorgeous. Thanks for posting!
|
Be careful if you're going to Amazon to buy this, guys. There's an older version of "Borrowed" that doesn't have Stevie on it. It looks like the "Re-Imagined" one isn't available yet, although other "Re-Imagined" tracks are.
Please tell me this isn't going to be one of those things where you have to buy the whole EP to get the Stevie track.... |
Quote:
|
I really like this song!
Quote:
|
I don't want to over-analyze what is a compliment- it's like when someone makes you dinner, you say, "That was the best ever." It's not like you line up every dinner you ever had and do a taste test. ;) It was just what it was- how she felt in the moment.
I agree- the harmonies are gorgeous. This was a nice surprise. |
Not feeling it, sorry. Won't be a Top Country nor POP hit by any stretch.
|
Quote:
|
Quote:
|
Very nice. She has enough duets and one-offs for a box set now, surely!
|
I wonder who she's singing about. She said she fell to the floor when she heard the song, because she'd been there (or something to that effect)
|
super fun to hear a new track...however, I feel the producer and engineer did nothing nuanced with SN's harmony track. It is there, seemingly untouched, layered evenly over the lead vocal like fondant over a cake--same thickness, same consistency throughout. This is where LB would've shined by pushing and pulling and resting the right tones/notes, using dynamics and reverb and whatever else.
Don't get me wrong, I am enjoying the hell out of some new music and glad that she is asked to do these things. |
Quote:
|
Quote:
|
Quote:
Nice harmony, but as someone already said more could've been done to make it pop a little. Thanks for sharing, I had no idea this was on the way. |
Quote:
Ricoh |
It’s a good duet but Stevie is kept in a three-four note register the entire time. I wish there was one point in the song to feature her breaking out a little more.
Still, it’s very good. Her warm contralto anchors Rimes’s lovely, flightier notes. |
Leann co-wrote “Borrowed” about her affair with Eddie Cibrian when both she and Cibrian were still married to other people.
It’s quite touching and lonely how Stevie could sadly relate, especially considering that she’s alone. In addition, I’m not buying that “gave up being a wife for my music” story. While that notion may have been true at age 35-40, it’s certainly not the same sentiment that one feels at 70. I have a feeling that the reason Stevie likes to stay so busy is that she has no one to go home to. A prior post listed Derek Taylor as one of Stevie’s past affairs. The subject of the song “Beautiful Child”—Derek (road manager of The Beatles) married his wife Joan in 1958. Thus, the line “you fell in love when I was only 10”. They were married for nearly 40 years, until his death in 1997. |
Quote:
Thanks - I've just purchased it as well. Thank goodness my pessimism was unwarranted! |
Quote:
But I digress. Was she drawn to married men? Was there something about "forbidden fruit"? Was it the idea that in the end, she knew that it wouldn't be permanent - maybe deep down she really didn't want something permanent? Maybe, but I think it was just because most of the men she worked most closely with were married, and those were the men she connected with. When it came to their marital status her attitude was "Hey, if he wants it, and I want it, it's all good. Love is what's important" etc. etc. In other words, she simply didn't care. No guilt, no hesitation, no sense that she was doing anything wrong if it was done in the name of love. JMHO. There is one line from "Borrowed" that acknowledges such affairs are wrong, which problematizes my theory a bit, but nothing says this song has to match her feelings beat-for-beat for her to relate to the main theme.... "I don't want to give you back" to the significant other. |
Quote:
|
Quote:
|
This is Stevie doing some of the things she does best: Singing about heartbreak with another singer and doing so in her country tinged voice. It's really nice. I don't love the lyrics or what the song's about but I like her singing on it.
|
Quote:
|
Quote:
|
Quote:
|
Never in a million years wiuld I have thought Stevie and LeAnn would team up for a duet. However, who would ever think she would duet with Lana Del Rey. Surprised she is still getting all these duets at he age.
|
Quote:
But there has been A LOT of affairs with married men so it could be one of many she is thinking about....? |
Quote:
I think she just related to the song because she's been involved with married men before various times but I don't think it's connected to anyone specific. |
Quote:
However, the lyric it most reminds me of is the one from Love Is: "And her heart broke down - she cried - she fell to the floor." Do we know who that is about? Or is "fall to the floor" just a way Stevie dramatically expresses feeling overwhelming emotion? |
Quote:
I've always heard that Love Is is about the same thing as the FWIW situation. And I think it's just a certain melodramatic Stevie thing. |
Quote:
|
Quote:
|
I really like this song and Leann is such a great singer. I forget how great she is because you don't hear her on the radio. It's all the "country rock" male singers. There are places where they sound so good together and then places where the vocals don't mesh well at all. So as a duet, it's a little up and down for me. But I'm so glad to have this. I'm glad she's doing something besides touring all the time.
|
Quote:
|
Yay! Another surprise! This is why I think we cannot completely rule out a new FM or solo album. We had no idea this was going to come out.
|
|
I always like Stevie's country songs, so it's no surprise I like this one. The weird thing is that usually when Stevie is even only slightly on a song, she's all I really hear. But in this song, I'm having a really hard time hearing her. I hear Rimes a lot more. I wonder why that is. Anyway, it's nice to have something new to listen to. :) Thanks for posting this.
Kevin |
Quote:
Thanks for posting. |
Quote:
|
All times are GMT -5. The time now is 08:56 PM. |
Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
© 1995-2003 Martin and Lisa Adelson, All Rights Reserved