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What a joke of a thread.
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Fleetwood Mac is not dead. Danny Kirwan is dead, God rest his musical soul. I thought Lindsey had died when I read "Fleetwood Mac guitarist dead at 68" and I counted my lucky stars that a semi-current and potential returning member in Lindsey was still alive. But I have a lot of respect for Kirwan and Welch and Green, don't get me wrong, Then Play On and Mystery to Me rival Rumours in my book. Anyway, it goes without saying, yes, I admit it: Lindsey was and still could be very important to Fleetwood Mac. BUT: Fleetwood Mac lives on to sing another day, in another lonely way. Long live Fleetwood Mac! |
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Forget trying to listen to "Without You"! |
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Actually, Fleetwood Mac should do “Love Is Dangerous” because Mike should have to do a song Stevie wrote with Rick Vito for a change. It was always the other way around. |
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Sorry to beat a dead rat
I don't know why the Sugar Mouse is called "Sugar Mick".
Our honorable rodent friend is usually spruiking Neil Finn and claims to have inside knowledge of that camp. Hence I suggest a re-Christening: "Crowded Mouse." |
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Getting back to the thread title, I’d say it’s 50/50. Lindsey was the one the band originally wanted because they could hear in his playing something that persists even to this day, a palpable, tense energy and creativity wrapped in a concise and potentially commercial package. We all know what he’s done—and could still do— for the FM sound.
But for all of that (and that is a lot) it’s Stevie's voice and presence that lured people in. I admit it: “Gypsy” put a spell on me, and though it was LB who transformed the song from a mere scrap of a demo into a full and unique orchestration, it was SN whose flash and charisma originally attracted my attention. Once I was hooked on the band, I quickly assessed the reality: that SN needs LB more musically than he needs her. At the same time, SN’s celebrity (which is now a weapon) is so strong, the band’s continued popularity (as opposed to musical accomplishment) is tied to it. |
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