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But I am glad that she has such a rich discography because I still listen to all her music solo and with FM all the time! :-) Just kinda have to hold on and cherish her legacy, I guess... |
It's been that way for me since "Behind the Mask" came out. It was obvious to me back then that she wasn't making Fleetwood Mac a major priority as far as albums go (how she didn't do "Whole Lotta Trouble" with four of the best blues musicians is beyond me). And, I still kind of feel that way. Her Mac songs between 1975-82 were all classics, and most of her Mac songs 1987 onward range between unlistenable to very good.
Judge for yourself: Rhiannon Crystal Landslide Dreams I Don't Want To Know Gold Dust Woman Silver Springs Sara Storms Sisters of the Moon Angel Beautiful Child Fireflies That's Alright Gypsy Straight Back -- Seven Wonders Welcome to the Room . . . Sara What I See You Again No Questions Asked Love Is Dangerous Affairs of the Heart Freedom The Second Time Paper Doll Twisted Sweet Girl Illume (911) Thrown Down Say You Will Smile At You Running Through the Garden Silver Girl Everybody Finds Out Destiny Rules Goodbye Baby Not Make Believe Without You |
I don't agree with many of her comments as of lately at all. Sales shouldn't matter at this point and I wish she would have done some recording with FM for a final album. I absolutely adore her last two solo albums and think she still has it in her to contribute some great tunes and vocals for an FM album. I don't hate her and won't stop listening to her music. But I wish she felt differently.
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The big reason is though is I can't stand her belittling her band mates anymore. What kind of person is she? Certainly not trustworthy. She is coming to Columbus Ohio and I won't be there. She has pretty much lost me. |
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To take you a step further.. Her solo career does the same thing. |
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And I have to add, She was already around 40 years old in the late 80's and back then that seemed ancient. Today, though, it doesn't seem that way. She had a lot of "Co–writes" during this period, but it was probably because of burn out and the klonopin, and age. And she lacked inspiration during this time. Drugs have a lot to do with the "quality" of the songs throughout a music career with longevity, and it will show. After 1986, cocaine was no longer in the picture, and all of a sudden, tranquilizers were. But I can't deny the fact, that I like A LOT of her material from 1986-87 onward. But again, like I said, it's probably because it's not over played and overrated like her stuff from 1975-83. Just my 2 cents. |
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Well, that makes 3 of you in the world.:lol::lol::lol: |
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Aside from what you wrote, I got lost during IYD and still have to vent about it. :) The cover alone, Stevie with a white horse, a cover from a young adult romance novel, I did not buy this **** for over a year, just because I don't want this kind of adolescent bull**** near me. But I listened to the album, I really WANTED to like it. She sings duets with Dave Stewart, who also produced - she must be deaf, probably a sideeffect from touring so much. There is no memorable tune at all. When a duet with Lindsey Buckingham is the only acceptable song on an album, I know it's a really bad album (I really don't care for Lindsey as a singer, but he is gold when DS comes in). AND then the lyrics: Vampires, Twilight? It wasn't that she wasn't even trying, it looked like a bad-writing contest against herself, is she internally 15 or what? What irks me now is the fact that for all her talk about money, she obviously had no idea who her target group/her fans are when she did IYD. Adoloscents don't buy a Stevie album, period. Noone else could stomach that one. |
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