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There is an interview with Mick and some band photos in UK mag 'Uncut' this month, I didn't buy it as it was £4.99!
There is also a new interview and beautiful old photo of Stevie in NME (with 'Hurts' cover). There are four photos in all, one full page of Stevie, one small current photo, one small one of her with headphones on from Rumours era, and small band photo from Grammy awards from 70s. She talks quite a bit about fellow female singers and a bit about 'Twilight' as well as Rumours. I've looked at their site and can't find the article but a heads up to anyone who can get hold of the mag. |
so.. what's the original Nicks piece then I wonder?
Previously mentioned were were 2 LB pieces (Miss Fantasy ,Sad Angel) and one old BN song (Without You)=3 Mick here says a total of 4 songs. |
I had noticed earlier that Mick kept saying that Stevie sang on 2 OR three songs. I kept wondering if there was a third song that she sang on recently that we don't know about.
Michele |
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Could it be My Mother's Rings? |
From The Times. Full article transcription (and a rare 1993 photo of Christine & Mick) posted on Neil's (nodmod) site, FleetwoodMac-UK.com.
'We were never too stoned to play' Fleetwood Mac: the comeback interview The Mac are back, with live shows, songs and a re-release. By Will Hodgkinson It is 36 years since Rumours, the soft-rock masterpiece by Fleetwood Mac, became the soundtrack to separation. Songs such as Go Your Own Way, The Chain and You Make Loving Fun articulated the new rules of relationships for the baby boom generation, capturing the reality of affairs, tensions, betrayals and break-ups and selling more than 40 million copies in the process. For much of the 1980s, arguing over who got the copy of Rumours was as much a part of divorce as lawyer’s fees and pretending to like each other in front of the kids. Rumours hit a nerve because it came from a place of truth. Fleetwood Mac’s keyboardist Christine McVie was divorcing its bassist John McVie. The singer Stevie Nicks was splitting with her childhood sweetheart, the band’s guitarist Lindsey Buckingham. Stuck somewhere in the middle was the drummer Mick Fleetwood, who was recently divorced from his wife. Everyone dealt with the situation in the only way rock stars in the 1970s knew how: by taking huge amounts of cocaine. It should have ended there, but as Fleetwood says, “Rumours is the thing that would not go away.” While the album has just gone back into the Top Three, four of the band members are putting aside the pain of the past and, in one of the biggest break up and make up stories of all time, getting ready to go out on the road again for a world tour. Only Christine McVie, who left the band in 1998, is staying away. She’s been leading a reclusive, distinctly non-rock’n’roll life in a Kent farmhouse ever since, having no involvement with Fleetwood Mac and never giving interviews — until now. “We were very hedonistic,” says McVie, recalling the band’s reputation for excess in the fond manner of someone remembering high jinks at school. “But it was always fun because we never got into heroin or anything like that. If you got too high you had a drink, and if you got too drunk you had another line of coke. We did that every night until three or four in the morning. It was different back then. Once you made it you were completely nurtured in this little world.” Why did she leave the band? “After I took my 95,000th flight something snapped. I became terrified of flying and I couldn’t face living out of a suitcase any more.” So it comes as a further surprise to hear that, two days after our interview, she’s flying to Fleetwood’s house in Maui, Hawaii, before traveling to Los Angeles to meet the rest of the band as they rehearse for a world tour. “No, no, no,” says Mick Fleetwood, the band’s genial, pony-tailed giant of a drummer, when I ask him if McVie will actually return to complete Rumour’s two-warring-couples dynamic that, in Buckingham’s words, “brought out the voyeur in everyone”. “We love her, we miss her, but no. She’s left. Still, she’s a huge part of our story and I certainly hope that when we tour in September and October she makes one little excursion to a gig.” The fact that Rumours continues to fascinate is not simply down to the quality of the music, although the clean-cut sonic perfection and lyrical seduction of songs such as The Chain and Don’t Stop is too tasty to resist. It’s also because this is a story yet to be completed. And what a story it is. The Fleetwood Mac of Rumours began in 1974, when, having been hugely successful figures in the late Sixties British blues boom, the band were in trouble. Founder Peter Green, briefly mooted as the greatest guitarist of his generation, developed schizophrenia and left in 1970 after saying he wanted to give all the band’s money to charity. The following year the Mac’s second guitarist Jeremy Spencer popped out before a gig in Los Angeles to buy a magazine and never came back. His band members later discovered he had joined the Children Of God cult. There was even a fake Fleetwood Mac out on the road, put together by the band’s manager. Fleetwood suggested to the McVies that they take a drastic step to cure their ills: move to California. “We had been successful and now we weren’t,” Fleetwood says. “Nothing was happening. But Peter Green had an incredibly generous principle, which was that you could bring new people into the band and allow them to be themselves rather than tell them what to do. That saved Fleetwood Mac.” Fleetwood was in the Laurel Canyon Country Store in the Hollywood Hills, doing his weekly shopping, when he bumped into an LA scenester he vaguely knew. “This guy had a job hustling people to work in a studio called Sound City, so I put the groceries in the back of my beat-up old Cadillac and drove down there with him. The producer Keith Olsen played me two tracks from an album he had recorded by a duo called Buckingham Nicks, just to demonstrate the [studio’s recording quality]. Next day I called Keith and said: ‘You know that tape you played?’ ” Buckingham was a broodingly handsome, intensely creative guitarist and songwriter from Palo Alto, California. Nicks, his girlfriend since high school, was a strikingly beautiful singer with a gypsy glamour and a drawled, girlish vocal style. Together they captured a very Californian take on the hippy dream: narcissistic, slightly cosmic, but sophisticated. The album, Buckingham Nicks, bombed, making Fleetwood’s offer of joining Fleetwood Mac at a wage of £300 a week particularly appealing for Nicks, who was supporting the couple by working as a waitress and cleaner. “Lindsey didn’t actually want to join,” Fleetwood says. “He was on his own creative quest with Buckingham Nicks, he’s never been commercially minded, and while Stevie has always been a great band member Lindsey struggles with it. She convinced him that they should dump what they were doing and put all their ideas into Fleetwood Mac, that it was a way to make a bit of money, and if they didn’t like it they could always leave. I didn’t know that at the time.” “Mick was wise,” Christine McVie says. “He told me that if I didn’t like Stevie we wouldn’t get them in the band because he knew that having two women that didn’t get along would be a nightmare. We all met at Mick’s flat, and Stevie and I were so completely different from each other that we got along fine. I was intimidated by the quality of the songs on Buckingham Nicks. It made me get my skates on.” What followed was not just huge success, but the beginning of the most compelling soap opera in the history of pop. The new line-up had a major hit with Fleetwood Mac in 1975, but by the following year, when Fleetwood Mac went into the studio to record what would become Rumours, the couples in the band were in trouble. Nicks addressed her situation in the reflective, affectionate Dreams, which suggests that Buckingham will come back to her when loneliness hits. Buckingham responded with the dismissive Go Your Own Way, the inference being that Nicks should suit action to the title. “The atmosphere in the studio was … charged,” says Fleetwood, an understatement that speaks volumes. “Here were people who loved each other but couldn’t be together, and it translated into a mutant form of fear and loathing. It was awkward, because you don’t normally spend time with someone at the beginning of a break-up. Recording the album was like divorced parents trying to do the right thing for their children, and our child was Fleetwood Mac. We put in a heroic effort to keep it together.” “All of these great songs were coming out of a very trying period and none of us wanted to ruin that,” adds Christine McVie, who wrote You Make Loving Fun, Songbird and Don’t Stop at the height of the turmoil. “John and I would create an icy silence that everyone was aware of, Stevie and Lindsey would be screaming at each other on the other side of the room. Even when the nightmarish hell of the two couples was at its absolute worst we knew we were capturing what we were all thinking about. It’s why the truth of the emotions on Rumours jumps out of the grooves.” Then there was the cocaine. “I didn’t even know what cocaine was until I went to Los Angeles,” says Fleetwood who, according to other band members, made up for lost time with astonishing enthusiasm. “Yes, we were wild and crazy, but we worked incredibly hard, which is always the case with the bands that have survived. We were never too stoned to play.” Fleetwood Mac survived in spite of all the things — success, excess, money, broken romances, affairs — usually guaranteed to pull a band apart. Fleetwood puts it down to the fact that they made their biggest album without a manager. “A manager would have taken one look at Stevie and said: ‘What are you doing with these guys?’ You’re the star.” Now the band has recorded eight new Buckingham songs — there are suggestions of an album release for 2014 — and are gearing up for their world tour. This is in spite of Buckingham still being reticent about giving up his solo career for the band, almost 40 years after Nicks first convinced him to do it. “When I spoke to Lindsey about getting the band together last year he said: ‘Don’t give me that Mick push, that guilt thing you do,’ ” Fleetwood says. “Stevie was off on her never-ending solo tour and I was coming to terms with the fact that it might be time to let go. Then Lindsey called up. Now concerts are selling out, people are excited and something is happening. We’d better get our **** together.” It doesn’t take a relationships expert to work out that some issues remain unresolved. In 2009 Nicks told an interviewer from MTV “that electric crazy attraction between Lindsey Buckingham and Stevie Nicks never dies, never will die, never will go away”. Whether Buckingham, now married with three children, agrees with her is debatable, but the emotional high point of a Fleetwood Mac concert is when Stevie Nicks and Lindsey Buckingham walk to the front of the stage with hands clasped together. So what if they disappear into separate limousines afterwards? The drama and intrigue behind those perfectly formed songs of love and heartbreak on Rumours is far from over. Perhaps it never will be. Fleetwood Mac play Dublin, London, Birmingham, Manchester and Glasgow in September and October. Presale tickets for the gig at the O2 Arena, London, go on sale today through ticketmaster.co.uk |
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Some pretty interesting comments from Chris & Mick in that new interview. Including this one:
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It's nice hearing from Christine.
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VH1 [click for video] February 7, 2013
http://www.vh1.com/music/tuner/2013-...multuous-past/ We had the nerve-wracking honor of sitting down with Fleetwood Mac recently and chatted with the iconic band about their upcoming tour and the re-issue of their album Rumours, which celebrated its 35th anniversary this week. Most interesting was the group’s willingness to discuss their torrid, rocky personal past with each other, which included break ups, make ups, affairs, drug abuse and lots of legendary songs about it all. The band says that emotions and feelings still pop up when performing together on-stage, where their songs live on even after the old feelings and feuds they detail have long-since died. “All those feelings that you have for each other do come out on stage,” Stevie Nicks told VH1.”Because you’re telling the stories when you sing the songs, so you are in a way re-enacting what happened.” Unlike so many other bands, they’ve actually managed to work through it, making their story just as unique and special as the music they’ve created together. “You have to backtrack to Rumours where we were prevailing as a group under the worst personal circumstances and we all paid a price for that emotionally,” said Lindsey Buckingham. “I think it made the dynamic between us a bit elusive and a bit convoluted at times, and over time that has become more refined and more clear. And we can separate what’s important from what’s not important and we can look at everything that’s happened with a certain level of wisdom.” Mick Fleetwood echoed his sentiments: “That really is the mystery of what we have… there are certain artists that literally agree to really loathe each other in a construct, and they know they play great music and they truthfully can make a lovely living and it’s fine,” he said. “We cannot do that, we simply cannot… because too much has happened between all of these people, which is like Lindsey said, is probably completely unique to a rock n’ roll band.” Never break the chain, guys. Never break the chain. The new, three-disc edition of Rumours is out now, and it’s incredible. You can catch the band on tour this Spring and Summer – check out their website for details. |
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That's an interesting question. We know what Stevie and Lindser were doing in 1974, but how were the other 3 living. What kind of homes did they have. They were on the road so much that I wasn't even sure that they had permanent homes. Michele |
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Michele |
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Stevie Nicks' Fajita Roundup suddenly makes more sense. :lol: |
Don't know if this was posted. 19 things you might not know about FM.
http://www.buzzfeed.com/perpetua/19-...ref_map=%5B%5D |
Men's Journal interview with LB
new interview with Lindsey here - http://ledge.fleetwoodmac.net/showthread.php?t=51633
says he's not doing pot anymore... :D |
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I like last paragraph too! ;) |
‘Sh*t, I can still play; that’s good’: As Fleetwood Mac reunites, Mick Fleetwood picks his favorite tracks
by Something Else! Reviews, March 22, 2013 http://somethingelsereviews.com/2013...vorite-tracks/ For long-time drummer Mick Fleetwood, preparing another reunion set list for Fleetwood Mac is fairly straight forward. Any song, he says, will do — though Fleetwood admits a personal preference for the group’s uptempo songs. “I have really no specific favorites; I just enjoy playing,” Fleetwood says, in the attached video. “We know we’re going to do certain songs, and if we don’t do them the audience will shoot us. We know that, and we enjoy doing it.” Fleetwood co-founded Fleetwood Mac along with bassist John McVie and the now-departed Peter Green in the 1960s. After a series of more blues-focused recordings, however, the group began to evolve into a hit-making pop machine in the following decade — reaching critical mass after the twin departures of Green and second guitarist Jeremy Spencer. Even as the now-retired Christine McVie began to emerge in the band dynamic, the lineup expanded to include Lindsey Buckingham and Stevie Nicks in the early ’70s. Fleetwood Mac’s 1977 smash Rumours would go on to produce four U.S. Top 10 hit songs, and topped the Billboard album charts for some 31 weeks. Unsurprisingly, when pressed to select a favorite track, Fleetwood eventually goes with one from that blockbuster release — as well as another from its follow up, 1979′s Tusk. “I think as a percussionist, a drummer, I always know my tempo is up,” Fleetwood allows. “It lets me know that I’m still doing what I really need to be doing — like ‘Go Your Own Way,’ ‘Tusk.’ Songs like that give me a personal workout, so selfishly I go: “****, I can still play. That’s good.’” Fleetwood Mac will begin a 16-week series of American concert dates in April, continuing through early July. European shows will follow later in 2013. |
Newsday Apr 05 2013 21:58:48
http://www.newsday.com/entertainment...gain-1.4998675 By Glenn Gamboa Newsday April 05--Fleetwood Mac starts over with every tour. Though Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks will celebrate their 40th anniversary together next year, they approach each tour as its own experience. And the massive "Fleetwood Mac Live 2013" tour that launched last week and runs through October -- including a Madison Square Garden stop tomorrow, a Prudential Center stop April 24 and a Nikon at Jones Beach Theater stop June 22 -- is no different. "We never know what we'll play until we walk out the doors of the rehearsal hall," says Nicks, calling from her home in Santa Monica, Calif. "We really don't plan it before that." With so much legendary material to choose from, the Rock and Roll Hall of Famers do have a process for building the tour setlist, she says. "We know there are songs we have to do, because we have to do them," she says. "We're going to do 'Gold Dust Woman' and 'Go Your Own Way' because everyone wants to hear them -- there's about 10 of those songs. We do about 20 or 21 songs in the show, so when we get there, everybody has a piece of paper with some unfamiliar songs that maybe we have never done or maybe we've done just a few times. We make a big, huge board, and we put all the names of these songs up. Then, we sit down and listen to all the records in case there's anything that we forgot. We add those to the list on the board. "Then, we sit around on couches with acoustic instruments, and we play all these songs," she continues. "I'll have my four songs that I want. Lindsey will have four songs that he wants, and we'll still have five or six songs left. You see your set start to come together." 'Rumours' has it With the recent 35th anniversary release of Fleetwood Mac's Grammy-winning "Rumours" album, one of the biggest-selling albums ever, with 40 million copies sold and more expected to move this year after a new, remastered box set of the album was released in January, there are some additional considerations for the band's show. "Maybe we will add a song or two from 'Rumours,' " Nicks says. "It's about the set being the best set it can be. We are totally willing to try anything, and that's what we do. You can kind of feel what works and what doesn't work. The unfortunate thing is we haven't fared well in doing [retired Mac keyboardist-singer Christine McVie's] songs. We don't sound like Chris. I don't sound good singing lead on her songs. Lindsey doesn't sound good singing lead on her songs... Her songs don't really play a major part in this, but her songs play a major part in the whole thing." Another consideration is that, for the first time in a decade, Fleetwood Mac has some new material. Nicks says the band recorded two new songs -- "Miss Fantasy" and "Sad Angel" -- that they might play. Recording session Early last year, Buckingham, Fleetwood and John McVie went into the studio to work on music and recorded several songs. "I didn't go then because my mom had just died," Nicks says. "But I recently went into the studio with Lindsey, and we listened to the songs they recorded. I put vocals on two songs, and they came out great. They really sound like great Fleetwood Mac songs. Lindsey told me when they were recording, he had really tried to see through my eyes, to really be me, and he has the ability to do that. They're really a lot of fun." Nicks hopes another song that may be new to Fleetwood Mac fans, though not new to fans of her solo work, may make it into the set. "I told Lindsey when we finished 'Soldier's Angel' that this song is going to go far and wide," she says of the song about injured veterans of the wars in Afghanistan and Iraq. "We'll be able to carry this right out of my work into Fleetwood Mac... It gives me the platform to continue to talk about these kids who really need your help. It lets me tell thousands of people a night that this problem is not over." Although the rest of Fleetwood Mac wanted to tour last year, Nicks, who wanted to spend the year promoting her solo album, "In My Dreams," on tour, says touring in 2013 has actually worked out better for all of them, especially Fleetwood, who opened his restaurant, Fleetwood's on Front Street, in Lahaina, Hawaii, last year. "That's been Mick's dream since we all went to Maui in 1977," Nicks says. "Even though everyone was like, 'We want to go out,' I'm like, 'What about the restaurant? If you just drop everything and run, the restaurant's not going to get opened in 2012, and then your dream's going to be put on hold again. Don't put your dream on hold. Fleetwood Mac is there.' "I told them in 1981, when everybody thought that doing 'Bella Donna' was going to break up Fleetwood Mac," she continues. "I sat them down and said, 'Listen, I am never going to leave you... I just need another vehicle for songs, because I write way too many songs for a band with three writers in it that does a record every two or three years. I'm drowning here. I am never going to break up this band. I promise you that.' By now, they believe it's true. My solo work has never become more important than Fleetwood Mac. I never let it take over, and I never will." WHO Fleetwood Mac WHEN -- WHERE 8 p.m. Monday, Madison Square Garden INFO $49.50-$179.50; 800-745-3000, ticketmaster.com Nicks on today's stars: Stevie Nicks is a fan of music, and she recognizes it's a tough time for young artists in the struggling music industry. As her mentoring appearance on last season's "American Idol" showed, she has great suggestions for young singers looking to follow in her superstar footsteps. Here's what she had to say about these three: RIHANNA "She's excellent. I saw her several years ago on 'Letterman,' and she did 'Shut Up and Drive' and just did it with kind of a rock band. This girl could front a rock and roll band, and she'd be amazing. She could be a rock star and a pop star. JUSTIN BIEBER "He's really good and writes really good songs," says Nicks, adding that being a singer and songwriter is the model that young artists should follow. "You have to make a heavy mark on your own. There's no artist development now." CARLY RAE JEPSEN Nicks says she was impressed with Jepsen's songwriting after hearing "Call Me Maybe," which she would "walk around singing every day all day long and wake up singing in the morning." She says more of that kind of songwriting will keep Jepsen around. |
AM New York by Hal Bienstock, April 7, 2013
http://www.amny.com/urbanite-1.81203...ival-1.5025105 Fleetwood Mac’s “Rumours” is one of the 10 best-selling albums of all time. What keeps it fresh 35 years later is not only the music itself, but the stories behind the songs. The album was recorded as two couples — Lindsey Buckingham and Stevie Nicks, and John and Christine McVie — were in the process of breaking up, and the album reflects that tension and emotion. A deluxe edition of “Rumours” was recently reissued, complete with outtakes and live tracks. amNY spoke with drummer Mick Fleetwood as the 2013 edition of the band — with John McVie, Buckingham and Nicks — got ready for a tour. What do you think when you listen to “Rumours” today? I think it was a miracle we were able to make it because of all the stuff that was going on. I love it. It’s a complete piece of work. They were really well put together songs, then you have the whole dynamic and the story of “How the hell did that bunch of people survive the emotional journey they were on?” Is there still pain when you play these songs? We remember all of it. It makes us reconnect to what was going on then, but we look at it from increasingly different angles. We’re all older and more forgiving. It’s not super, super painful. What it is now is super, super interesting. Are you working on new music? There are two or three things we’re hoping to get on the Internet as an EP. … In my opinion, Lindsey’s songs are some of the best stuff he’s done. I’d love to think we could put some of Stevie’s stuff together with it, then we’d have another Fleetwood Mac album. That’s my little pipe dream. There’s a perception that these days Fleetwood Mac is a business as much as a band. Is there any truth to that? I so don’t identify with that. For one thing, if we were running a business, we’d be working a lot more. Stevie and Lindsey have been in love since they were 16. ... There are some bands that made great music, but don’t give a s--- about each other. In truth, we care too much about each other. That flame is very much about to get to lit up again. |
Another one of those interviews from that day, handholding included, naturally...
Also, Mick compares them to Neil Young, Lindsey likes the word rhythm, Stevie talks about writing a letter to her 'great BFF in the band' Christine (ending with the not at all dramatic 'I wish you would come back and save me but I know you can't and I understand why'). http://www.youtube.com/watch?v=i7__Hr1OjsM |
http://blogs.suntimes.com/music/2013...ine_mcvie.html
The classic rock institution that is Fleetwood Mac has embarked on its umpteenth reunion tour this spring. The band isn't supporting a new album. Nevertheless, despite saying never many times, they're going back again -- and again and again, with 66 arena concerts scheduled around the world this year. It's difficult to get excited about this go-round -- even for me, a lifelong Mac addict undeterred even by the "Time" album. The biggest news out of the tour so far is that the band is performing "Sisters of the Moon," a 33-year-old "Tusk" track. Yawn. The last time Fleetwood Mac toured the tambourines and scarves, in 2009, singer-guitarist Lindsey Buckingham told me that, even after all these years, it felt like "a proving ground." (Two years later, he reported it a "freeing experience.") But this time, even the band doesn't seem exactly juiced about their jaunt. "We know we're going to do certain songs," namesake drummer Mick Fleetwood said in a recent online interview, "and if we don't do them, the audience will shoot us." "We always have to play 'Dreams,' 'Rhiannon,' 'Don't Stop,' 'Tusk,' 'Big Love,' 'Landslide' and all our most famous songs," Lindsey Buckingham told Rolling Stone. "For now, I have no particular vision of what this tour is going to be." Actually, guys, you don't have to. In fact, I call upon all Fleetwood Mac fans to join me in declaring: Lindsey, Stevie, John, Mick -- we release you! Whatever social-setlist contract you think exists between us is officially now and forever nullified, voided, torn asunder. You are pardoned. Please: Play whatever you want. Forgo the hits, play the misses. Play jazz, play bluegrass. Throw out the setlist altogether. Try improvising. Try failing. Anything but this put-upon resignation to the slavish "demands" of your fans -- because, frankly, it makes us sound like jerks. "2013 is going to be the year of Fleetwood Mac," Nicks told Rolling Stone. Here are five ways the Fleetwood Mac crew could announce a tour that would actually make a dent in the absurdity of that statement and once again activate my salivary glands: 1. Record a real Fleetwood Mac album "Say You Will," the most recent Mac album, already is a decade old. The last new record the band actually wrote and recorded while generally in the same room with each other was "Mirage" in 1982. Since then, it's been hijacked Buckingham solo projects ("Tango in the Night," "Say You Will"), misfired lineups ("Behind the Mask," "Time") and greatest hits. The recently announced EP (due any day now) smacks of merch, not creativity. Y'all need to hole up and jam. Not just the requisite two new songs (such as "Sad Angel" and "Miss Fantasy"), not another dredged-up B-side turned into a new A-side ("Silver Springs"), not a 37th anniversary repackage of "Rumours" -- but a full studio set. If the members of this corporate board have the time for 66 unasked-for shows, you can stare at each other over a sound board again. 2. Scale it down We get it, you're huge. Every tour is an arena tour. The music has echoed around so much steel and concrete it's stopped being songs and just devolved into mere momentary memory cues. Why not bring it down, focus the attention -- play theaters? Sure, you'll boost the ticket price, but you can also loosen things up to make it worthwhile. Setlists could change up. (The play-an-entire-album trope might work here.) Unscripted banter could break out. (Maybe even a long-simmering argument.) Most of your fans could see you in the flesh, rather than on a video screen. (You're not computer projections yet, are you?) 3. Bribe Christine Christine McVie packed it in after the band was inducted into the Rock and Roll Hall of Fame in 1998, and though she's attended a few Mac concerts since then she hasn't joined the band on stage. Given the tone of comments from her mates -- Nicks said the chances of Christine returning to the band were equal to an asteroid collision -- we understand she's probably a write-off. Retirement from rock should be respected and, in so many cases, encouraged. But there's hope. First, an asteroid did nearly plow into the planet a few weeks ago. Second, McVie actually joined Fleetwood and former Mac guitarist Rick Vito (and, for some reason, Aerosmith's Steven Tyler) on stage in Maui just last February for a sporting run through "Don't Stop," playing keys and singing. She's this band's leavening agent. Privately, you guys need her. Musically, so do we. To get just one more ridiculously great song out of her (even a "Temporary One"!), give her the moon to get her back. 4. Reboot Buckingham Nicks The musical and certainly the personal dynamic between Buckingham and Nicks first clarified on the 1973 pre-Mac album as a duo; the "Buckingham Nicks" LP is now an industry legend, having never been reissued digitally. (Still no straight answer about why that is.) But for at least a decade now, both have been hinting at the desire to record again and tour just as the pair. "We had already started our second Buckingham Nicks record," Nicks reiterated in an interview last month at SXSW, describing the project that was dropped when Fleetwood Mac discovered her and then-boyfriend Buckingham and brought them into the band. Buckingham recently and repeatedly has voiced his interest in rebooting that aborted sophomore album -- even saying late last year that some sessions had begun with producer Mitchell Froom. So ... do it already. Go even more intimate with the resulting tour (clubs!) to highlight your own unique bond. Two people, two guitars, no fuss. I can't imagine a better residency at Park West. 5. An 'us' festival Dave Grohl's Sound City Players concert in March at SXSW was an enjoyable enough rock and roll revue, spanning generations. Nicks' performance -- dueting with Grohl and backed by the Foo Fighters -- was surprisingly great. The Mac songs didn't sound stale in a modern setting, and Nicks was more than capable of leading the bashing hard rock band with witchy panache. So go the Ringo all-stars route -- but with a larger scope and fewer track suits. Keep Grohl on board, call it Fleetwood Fighters & the Rolling Thunder Always Happens Revue! A half dozen shows across the country, on the Sound City Players model. It could be part reunion (guest turns from Peter Green, Danny Kirwan, Billy Burnette, Rick Vito, Bekka Bramlett, Dave Mason), part intergenerational parade of pals (Tom Petty, Don Henley, Steve Winwood, Eric Clapton, Sheryl Crow, Matthew Sweet), part torch-passing (Buckingham can show off his new song with Delta Rae, Best Coast can roar through their magnificent cover of "Rhiannon"), part vaudeville (I'm seeing Chevy Chase on drums for "Holiday Road"). That's almost enough all for everyone. |
Christine say she would Perform in London!!??
http://www.standard.co.uk/showbiz/fl...p-8566433.html
09 April 2013 Fleetwood Mac will release a new EP later this week. The band will be putting out their first new material since their Say You Will album from 2003, including new track Sad Angel. The band - Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks - debuted both that song and another, Without You, last Thursday at the opening of their 2013 tour in Ohio, US. Lindsey announced news of the new release to the crowd at another show in Philadelphia. He said: "One of the things we thought would be a good idea before we hit the road would be to go into the studio and cut some new material. So last year we did that. It's the best stuff we've done in a long time and in a few days we're going to drop an EP of new stuff." Ex-band member, Christine McVie - who left the band and retired from music in 1998 - has also said she would like to perform with the band at one of their London dates if they will allow her. She said: "If they wanted me to, I might pop back on stage when they're in London just to do a little duet or something like that." Fleetwood Mac are currently playing in the US as part of a world tour. |
[This is text about the video Nicole21290 linked above]
STV Entertainment, April 11, 2013 http://entertainment.stv.tv/music/22...-off-new-tour/ Fleetwood Mac kicked off their North American tour with band members Stevie Nicks, Lindsey Buckingham, Mick Fleetwood and John McVie – and they have revealed their thoughts about returning to play live shows. However, original member Christine McVie decided not to join her old buddies. McVie's choice came as a big blow for Nicks. Nicks said that she really misses McVie, who has not toured with the band since 1998. "I just actually got a note from her and I sat down night before last and wrote her a two-page letter," she said. "You know, I think I ended the letter with: 'I wish you would come back and save me, but I know you can't and I understand why.' “You know, I miss her every day because she was my best friend. I had a great BFF in the band, I had her to talk to and I had her to hang out with. She was my best gal, you know?" The group is celebrating the 35th anniversary of the best-selling "Rumours" album, which has moved some 20 million units in the United States. Mick Fleetwood explained why he thinks fans are still so interested in the band after all these years. "I think we have the ingredients of say, when you talk about someone like Neil Young, for instance, where he still loves to do what he does, he's still very vested in his art form and what he does, the musicality and he tours and he stops. He has a career," Fleetwood said. "He's still really good. And it becomes something, like Stevie mentioned in another interview, this is what we do and it's all of that that makes this work, you know, and makes it really possible with the possibilities that can unfold out of it, you know. “We have a safe harbour and it's the thing we created, which is Fleetwood Mac and all the lovely music that is being celebrated in a way where you sit there and say, 'Oh my God,' you've been brought up around it and so forth. All of these things are really unfolding now for us to cogitate on and still be able to go out there and do what we're doing now – which is exciting and revealing for us in personal ways." |
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"possible with the possibilities"..... reminds me of "listener of listeners" |
‘We go on stage and still have our love affair’: Fleetwood Mac’s Stevie Nicks on Lindsey Buckingham by Something Else! January 4, 2014 at 1:38 pm
http://somethingelsereviews.com/2014...ey-buckingham/ The torrid passion between Lindsey Buckingham and Stevie Nicks has been both the blessing (you’ve heard of Rumours, right?) and the curse of Fleetwood Mac. After all, the emotional split chronicled in songs like “Dreams” and “Go Your Own Way” eventually formed a basis for bad feelings that split the group apart a decade later. Since a 1998 reunion with the platinum-era lineup of the group, however, the tandem of Buckingham and Nicks has held steady — even as Christine McVie retired and, more recently, her ex-husband John McVie endured a cancer scare. Once perhaps the most unstable part of the group, they now represent its foundation. “We were, for all practical purposes, married for a long time,” Nicks tells Extra and, with their continuing tours in Fleetwood Mac, “we have the ability, and the gift, of being able to go on stage and still have our love affair.” That Buckingham is married now hasn’t changed the nature of this more mature kind of passion — a passion focused on the work. “He has a beautiful wife that I just adore,” Nicks adds, “and three little kids that are so very special. I get them also, you know? I get to have them, too.” |
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