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And, that goes for any subject. |
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What is known is that Stevie never wished the information to be shared in the way that it was shared. Stevie did share to the extent that she wished, via "Goodbye Baby," and "Sara," as she has with other songs about her life. In many of her songs--"Trouble In Shangri-la" comes to mind in particular--you often get the feeling she is sharing something personal, but it's well hidden. |
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Since you bring up the coke-up-bum rumor, I also believe it's more than likely true. And not just because I like to believe less than flattering things about Stevie, but because it simply makes sense. She goes to a dr, dr tells her to stop doing coke up her nose or she'll die of a brain hemorrhage. Stevie says she can't stop during the middle of a tour, so she gets her coke fix another way until she can get her a@ss to Betty Ford... literally! :p |
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20 Things that Do NOT Belong in Your Butt |
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I've always believed that "The Tower" (later know as "Goodbye Baby") was clearly about her unborn child. However after discussing this topic with those much more familiar with it than I am, I have learned that the song is much more likely one of the "Rhiannon" songs as it fits the story line of the Evangeline Walton story of Rhiannon almost verbatim. I have the books, but I've never read them.
As for "Sara", I think that is in part about the unborn child. The song is about everything that was going on after the recording of "Rumours". She has often said that if she were to have a kid she would have named her Sara. She also used the name Sara Anderson when she checked into hotels. And Sara is the alias she used while at Betty Ford, thus "Welcome To The Room...Sara". |
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Matt Baumann (director of Destiny Rules): "one of the more emotional moments made it to the film and that was when Stevie and Lindsey recorded "Goodbye Baby". That was shot very quietly late at night and due to the subject matter, was a very private and personal moment between those two." Maybe it's just me, but I don't think he would have said that if the song was purely fictional... |
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At any rate, it makes more sense to say you believe she revealed abortions because she was at a low point in her life than to say it is true because Vox printed it and Stevie didn't deny it. Vox wasn't Rolling Stone and before the internet became as widespread as it is, it's not like what was printed there circulated like wild fire. It's not like this was something the world was talking about 18 years ago. Michele |
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