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I miss her voice but I don't miss her songs.
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Michele |
It's interesting to read all of these different posts exhibiting different opinions. For me, this is Fleetwood Mac coming back. I am fortunate enough to have seen them 3 times since 2003: the first two with no Christine, and the third with her on just one song. At all times at the first two concerts in '03 and '09, I felt that there was too much of a lurch between Stevie's songs and Lindsey's songs, and none of that 'happy middle' which Christine provided. For me, that lurch made the concerts less of an enjoyable experience. When she came to London last year, it was clear from just one song what a difference she makes - it was ineffable.
On a purely selfish note, I really hope that they play more TITN material now that she is back. I want to hear Little Lies again, and I would love to hear Isn't It Midnight. I am not a particular fan of the Tusk songs, so I don't care to hear any more material from that album than I have already heard. Different strokes, and all that... |
Great news! My opinion of 'Say You Will' and the post-Christine FM is that they were good without her ... but with her they were transcendently fabulous.
My own personal pipedream is that they would eliminate the backing vocalists and musicians and perform live on stage, just the five of them. Those backing vocalists and musicians make the live show much too polished. I want to hear it if someone makes a mistake or if a harmony isn't exactly right. Live rock 'n' roll is supposed to be raw around the edges. But I have no realistic expectation of this actually happening. |
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Wonder whether all people lamenting that current reincarnation is stale have seen them in concert in 2013? Because they were tight and rocking, far from stale. That said,i was one of the lucky people who got to see them a lot last year- and so I've seen enough of the 4 in 2013, and would not go see them again in 2014 if it was the same configuration. If Christine is back, I definitely want to experience the version of the greatest hits performed by the 5. Plus I think we will actually get Lindsey solo back muchfaster if Christine tours with them this summer than if it's still just the 4 in the summer and then they follow that with a full fledged return of the 5. As for the ticket prices, I don't see them commanding the rolling stones prices, far from it, esp not in the US or continental Europe. UK may be a very different story. But that's talking about face. Mick's tickets may be a very different story. During 2013 he charged around $400, so that was doable especially since at some venues the face was well over $200. During Unleashed I've heard that he charged $ 1200 or so for basically the same thing. That's astronomical. |
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I recently rented the Blu-ray of Lindsey's solo concert, and I was super-pleased with the vocalizing he and his backups created. They sounded marvelous. |
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Edit: Stevie sounded 100% this tour than on Unleashed. |
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Michele |
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Christine's coming back for one reason...it's Fleetwood Mac's Grande Finale tour. It's been pretty obvious that Fleetwood Mac hasn't been Fleetwood Mac since 1998. Mick wasn't going to let Fleetwood Mac sail into the sunset being Stevie & Lindsey's feeble attempt at being Buckingham Nicks again under an assumed (and more well-known) name. |
As far as staleness goes, it's all relative. I enjoyed the Unleashed tour immensely. I enjoyed this Live 2013 tour better by comparison, but I don't think Unleashed was bad or that it was a lot different than the SYW tour. I found them to be equal. Yet, after the fact, Stevie expressed ennui during Unleashed and a lot of fans now say it was dull too. I hear that complaint now, but I did not hear it so much at the time.
Stale is what you're comparing it to. Even though I have enjoyed FM's last three tours, there are some songs that definitely are stale to my ears. I realized that The Chain was weak, but I didn't quite see (hear) how much so until I saw Lindsey perform it with Little Big Town and I thought, "THAT is what has been missing." When the back up singers did such a sublime job on Beautiful Child, layering vocals with Lindsey and Stevie, it just made me realize how rare it was for them to enhance a song. When with Christine there the reverse was true. Most songs benefitted from beautiful harmonies, not just the occasional song. The Rhiannon choruses used to be as ethereal as Beautiful Child, but they no longer are. Now, that they're all older, they probably won't sound as good together as they used to anyway, but I have hopes. Michele |
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